tag:blogger.com,1999:blog-83502705768560285502008-06-05T12:46:40.706-07:00Symposium 2009 - VersaillesMaterial & Visual Cultures of Dress
in European Courts
(1300-1815)Isabelle Paresyshttp://www.blogger.com/profile/17610384935674809470noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-8350270576856028550.post-88824864813251294492008-04-23T05:48:00.000-07:002008-05-06T12:24:28.420-07:002008-05-06T12:24:28.420-07:00Call for papers<div style="text-align: center;"><span style="font-weight: bold; color: rgb(255, 153, 102);">Material & Visual Cultures of Dress in European Courts</span><br /><span style="font-weight: bold; color: rgb(255, 153, 102);">(1300-1815)</span><br /></div><br /><br /><div style="text-align: justify;">An international symposium devoted to the material and visual cultures of dress in the European courts (1300-1815) will be held in Versailles <span style="font-weight: bold; color: rgb(255, 153, 102);">between the 4th and the 6th of June 2009</span><span style="color: rgb(255, 153, 102);">.</span> At the same time a big exhibition on court costumes (17th-18th centuries) will be held at the Versailles Palace (spring 2009). The symposium will deal with topics related to clothing in European courts with a larger chronological time frame, from the end of the Middle Ages, when a « body of fashion » was established and when the courts began to expand. It ends with the last splendour of the French imperial court.<br />The symposium of Versailles will give the opportunity to survey the current state of research in this field, consider the evolutions between 1300 and 1815, compare the courts and grasp their mutual influences. The conference will be at the crossroads of several fields of research: the Court Studies that have shown the court to be a central site of power and culture; the history of material culture and consumption; lastly the fields of the culture of appearances and those of visual cultures.<br /><br /><span style="font-weight: bold; color: rgb(255, 153, 102);">Main research themes of the symposium</span><br /><br />The field of study of the symposium bears on two topics that are closely linked: the material culture and the visual culture. First it aims to <span style="font-weight: bold; color: rgb(102, 204, 204);">study the reigning princes and sovereigns’ sartorial culture through the clothes themselves</span>, as they have been kept in museums, or/and through the inventories, accounts of wardrobes and bills. It also aims <span style="font-weight: bold; color: rgb(102, 204, 204);">to study the various iconographical representations of princes and courtiers.</span> They contribute to the construction of a of an elites’ sartorial visual culture whose place should be assessed in the increase in the number of fashion plates from the early modern era.<br />These topics will continue until our present-day so we can study <span style="color: rgb(102, 204, 204); font-weight: bold;">the dress at court or more widely the old luxurious clothes through the fashion and the visual culture of the stage (theatre, opera), cinema or television.</span><br /><br />The project rests on the participation of international scholars working in different fields, from the history of dress, economic and social history, history of art, fashion studies and stage and movies studies, etc. Its aims is also to bring together different jobs and trades working on dress and costume: researchers, curators, costumers and fashion designers.<br /><br />The symposium looks at three topics:<br /><br /><span style="font-weight: bold; color: rgb(255, 153, 102);">• The </span><span style="color: rgb(255, 153, 102); font-weight: bold;">reigning princes' and sovereigns'</span><span style="font-weight: bold; color: rgb(255, 153, 102);"> wardrobes in Europe (1300-1815)</span><br />- The contents of the wardrobes: case studies (styles, textiles and colours, the distinction between public and private use, between male and female wardrobes, etc); their economic value<br />- The present state of our knowledge on the royal and princely wardrobes in the different courts of Europe; historiographical approaches and research prospects<br /><br /><span style="font-weight: bold; color: rgb(255, 102, 0);"><span style="color: rgb(255, 153, 102);">• The pictures of the way of dressing at courts in Europe (1300-1815)</span></span><br />- The sartorial court cultures through the iconographical representations: aristocratic portraits, scenes of life at the court, fashion prints, etc.<br />- The contributions and the limits of these sources for the knowledge of the sartorial court cultures in Europe<br /><br /><span style="font-weight: bold; color: rgb(255, 153, 102);">• The court dress put on stage: stage, screen, podium (20th-21st c.)</span><br />- To create the court costume for the stage and the show: craft, techniques; relationships between the costumer, the director, the scriptwriter or/and the historical adviser and the history of costume<br />- The use of the court dress at stage, at screen and in the historical television series: reconstruction or creation?<br />- The court dress and the fashion podiums: influences of the court attire on the fashion design in Couture<br /></div>Isabelle Paresyshttp://www.blogger.com/profile/17610384935674809470noreply@blogger.comtag:blogger.com,1999:blog-8350270576856028550.post-45124950596856258322008-04-23T05:46:00.000-07:002008-04-23T06:03:03.104-07:002008-04-23T06:03:03.104-07:00Registration for proposals<div style="text-align: justify;">The proposals for a lecture to the symposium would contain: name and surname, addresses, discipline or/and profession, research centre, an <span style="font-weight: bold;">abstract</span> of the lecture (one page, Word, Times 12, simple spacing) and a <span style="font-weight: bold;">curriculum vitae </span>(one page).<br /><br /><span style="font-weight: bold; color: rgb(255, 153, 102);">To be sent before the 15th of June 2008 to:</span><br /><br /><span style="color: rgb(255, 204, 153);">isabelle.paresys@univ-lille3.fr</span><br /><br />IRHiS Septentrion - Institut de Recherches Historiques du Septentrion<br />UMR 8529 - Université de Lille 3 / CNRS<br />Domaine universitaire du Pont de Bois- B.P. 60 149<br />59 659 Villeneuve d'Ascq cedex<br /></div><br />The scientific comity of the symposium will select the proposals to build the programme. The reply to the lecturers will be given early in July 2008.Isabelle Paresyshttp://www.blogger.com/profile/17610384935674809470noreply@blogger.comtag:blogger.com,1999:blog-8350270576856028550.post-50733026249087984982008-04-23T05:43:00.000-07:002008-04-23T06:03:58.685-07:002008-04-23T06:03:58.685-07:00Organization of the working sessions<div style="text-align: justify;">Isabelle Paresys (IRHiS - Institut de recherches historiques du Septentrion - UMR 8529 - université de Lille 3 / CNRS) (isabelle.paresys@univ-lille3.fr) is in charge of the <span style="font-weight: bold; color: rgb(204, 255, 255);">scientific management</span> in collaboration with Corinne Thépaut-Cabasset (researcher, château de Versailles).<br /><br />The <span style="font-weight: bold;">working sessions</span> will be held at the Versailles Palace for two days and a half between the 4th and the 6th of June 2009. The conference will be organised into several theme-based sections consisting of 25-minute papers (French or English), accompanied or not by slide presentations.<br /><br />The <span style="font-weight: bold;">material organization</span> and financing are provided by the Research centre of the château of Versailles (CRCV). Contact : Mathieu Da Vinha, Coordinateur de la recherche et de la formation (contact : mathieu.da-vinha@chateauversailles.fr)<br />Centre de recherche du château de Versailles<br />Pavillon de Jussieu - RP 834 - F-78008 Versailles Cedex<br /><br />A <span style="font-weight: bold;">scientific comittee</span> will evaluate and select the proposals of papers for the conference. It will build the programme of the working sessions.</div>Isabelle Paresyshttp://www.blogger.com/profile/17610384935674809470noreply@blogger.comtag:blogger.com,1999:blog-8350270576856028550.post-19163019420089162602008-04-23T05:42:00.000-07:002008-04-23T06:02:43.679-07:002008-04-23T06:02:43.679-07:00Working sessions<div style="text-align: justify;">The working sessions will be held at the Versailles Palace for two days and a half between the 4th and the 6th of June 2009. The conference will be organised into several theme-based sections consisting of 25-minute papers (French or English), accompanied or not by slide presentations.</div>Isabelle Paresyshttp://www.blogger.com/profile/17610384935674809470noreply@blogger.comtag:blogger.com,1999:blog-8350270576856028550.post-85387358175060459002008-04-23T05:39:00.000-07:002008-04-23T06:02:22.205-07:002008-04-23T06:02:22.205-07:00Material organization<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_SVvzwHNluc8/SA8zQMm7ZpI/AAAAAAAAADo/oxNyS7TkSQQ/s1600-h/logo.png"><img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://bp0.blogger.com/_SVvzwHNluc8/SA8zQMm7ZpI/AAAAAAAAADo/oxNyS7TkSQQ/s200/logo.png" alt="" id="BLOGGER_PHOTO_ID_5192425248736896658" border="0" /></a><br /></div>The material organization and financing are provided by the Research centre of the château of Versailles (CRCV). Contact : Mathieu Da Vinha, Coordinateur de la recherche et de la formation (contact : mathieu.da-vinha@chateauversailles.fr)<br /><br /><div style="text-align: justify;">Centre de recherche du château de Versailles<br />Pavillon de Jussieu - RP 834 - F-78008 Versailles Cedex</div>Isabelle Paresyshttp://www.blogger.com/profile/17610384935674809470noreply@blogger.comtag:blogger.com,1999:blog-8350270576856028550.post-55647823540116290532008-04-23T05:37:00.000-07:002008-05-15T00:54:56.278-07:002008-05-15T00:54:56.278-07:00Scientific comitteeA scientific comittee will evaluate and select the proposals of papers for the conference. It will build the programme of the working sessions.<br /><br />The members of the comittee are :<br /><br />Christine Aribaud, maître de conférences en histoire de l’art, FRAMESPA- université de Toulouse, France<br /><br />Marco Belfanti, professeur d’histoire économique à l’Université de Brescia, Italie<br /><br />Odile Blanc, docteur en histoire, INP-Institut national du patrimoine, France<br /><br />Dominique Brême, maître de conférences en histoire de l’art, IRHiS - université de Lille 3/CNRS, France<br /><br />Natacha Coquery, maître de conférences en histoire, CEHVI - université de Tours, France<br /><br />Nicole Fouchet, maître de Conférences Mode et Cinéma Université Lumière Lyon 2, France<br /><br />Thomas Lüttenberg, université de Bielefeld, Allemagne<br /><br />Lesley Miller, Senior Curator , Department of Furniture, Textiles and Fashion, Victoria and Albert Museum, Royaume-Uni<br /><br />Isabelle Paresys, maître de conférences en histoire, IRHiS - université de Lille 3/CNRS, France<br /><br />Corinne Thépaut-Cabasset, chargée de recherche, château de Versailles, FranceIsabelle Paresyshttp://www.blogger.com/profile/17610384935674809470noreply@blogger.com